Title: Nya Sverige – Nothing But The Truth
Label: Room 40
Cat nr: RM4177
Format: CD + booklet
Nya Sverige – Nothing But The Truth
“Von Hausswolff and Pauser, who both operated across sound and installation, used Phauss
as a means for deconstructing ideas of composition, situationalism, site-specific works and extended performance methodologies. Across the second half of the 1980s and into the early 1990s, they made connections, through their travels, outward from their homeland into scenes and communities that stretched from the Middle East, through North America and into Asia.
Like their travels, their ways of approaching the work they made was similarly wide-reaching and innately curious. They worked with often quite strict conceptual structures within
which they were able to unlock entirely new ways of considering composition and also the material production of sound, through performance, through iteration and through considered experimentation which allowed for failure, just as much as success.
Nya Sverige – Nothing But The Truth is a recording made in the United States whilst the pair
were undertaking an exhaustive tour in 1991 alongside Hafler Trio and Zbigniew Karkowski. This, now legendary, tour was both arduous and rewarding. Living in a van for many weeks at a time, travelling between cities with the most modest of means meant Phauss came to know a very particular vision of the United States, one that existed below plain view. Their’s was an experience had at the rawest edges of cities.
Equally the performances they gave, from which this edition is assembled, were raw and quite frankly dangerous. Fire on stage, sparks flying from short circuiting electronics and intense physical rituals guided so much of their work during this tour and looking back at bootleg videos from the time it’s difficult to imagine the work being able to be presented in the modern world.
One of the flyers from their tour reads ‘Extreme Swedish Industrial’, and as familiar as those words might appear now, in 1991 they held a very different resonance. They were unfamiliar terms of reference and the intensity of Phauss’s music maintains that unknowability to this day. This is a profoundly individual work and sets the stage for a generation of musicians who followed them.””