Artist: Leila Bordreuil + Kali Malone
Title: Music For Intersecting Planes
Format: Black Vinyl 12″
Label: Ideologic organ
Cat nr: SOMA065LP
Genre: Drone/Modern classical/Minimal
Tracklist:
| A1 | Intersecting Planes I | |
| A2 | Intersecting Planes II | |
| B1 | Pilots In The Night | |
| B2 | Endless Dance Of Eternal Joy |
- Artwork – Magnus Maxime
- Cello, Effects [Feedback] – Leila Bordreuil
- Curated By, Art Direction – Stephen O’Malley
- Lacquer Cut By – Andreas Kauffelt
- Mastered By – Stephan Mathieu
- Mixed By – Tristan Mazire
- Music By – Kali Malone, Leila Bordreuil
- Organ [Liardon/Felsberg 1995 Organ], Effects [Sine Waves] – Kali Malone
- Photography By – Elodie Lesourd
- Recorded By – Livio Mélileo, Matthew Franklin
- Tuner [Organ Tuning] – Kali Malone
Recorded at night by candlelight in the Temple of La Tour-de-Peilz, Switzerland, Music for Intersecting Planes captures the immediacy of sound in space. Cellist Leila Bordreuil and organist Kali Malone join in a work of austere, ritualistic presence, where the granularity of air, the vibration of strings, feedback, and subdued sine waves intersect in sculptural form.
Minimal in means yet expansive in effect, the music slowly unfolds like beads on a thread, punctuated by silence and deep breaths. Bellows whistle within feathered string harmonics, interference patterns pulsate throughout the chapel, and the environment itself becomes part of the composition, with ringing church bells and motorcycles passing in the distance.
Performed live in single takes, the music balances patience and intensity, composure and chance. The collaboration reveals new terrain: more tonal and composed than Bordreuil’s work, more textural and raw than Malone’s.
Music for Intersecting Planes is both severe and tender, an elemental convergence of cello and organ that resonates with the timeless intrigue of acoustic phenomena.Released by Ideologic Organ in collaboration with La Becque Editions.
Minimal in means yet expansive in effect, the music slowly unfolds like beads on a thread, punctuated by silence and deep breaths. Bellows whistle within feathered string harmonics, interference patterns pulsate throughout the chapel, and the environment itself becomes part of the composition, with ringing church bells and motorcycles passing in the distance.
Performed live in single takes, the music balances patience and intensity, composure and chance. The collaboration reveals new terrain: more tonal and composed than Bordreuil’s work, more textural and raw than Malone’s.
Music for Intersecting Planes is both severe and tender, an elemental convergence of cello and organ that resonates with the timeless intrigue of acoustic phenomena.Released by Ideologic Organ in collaboration with La Becque Editions.
